I'm excited for my fans to finally be getting something from me - it's been a while!' In April 2014, Christina Aguilera confirmed that she was recording two albums: one in English and one in Spanish (which was slated to be her second after 2000's 'Mi Reflejo').ĭuring the interview, she also elaborated on the album's working process, saying: 'I've been loosely working and sort of accumulating ideas for what my next album will be over the last couple of years.

Accelerate (featuring Ty Dolla Sign and 2 Chainz)Ĕ:03.

I Don't Need It Anymore (Interlude)Đ:54.

Right Moves (featuring Keida and Shenseea)ē:48.

Fall In Line (featuring Demi Lovato)Ĕ:06.

This weakness is also a strength, as it shows that Aguilera didn't take an easy route with Liberation: she instead found a hybrid between the personal and commercial, which makes the record resonate emotionally no matter what success it may or may not have. This stickiness can be a shade too mawkish, but the greater flaw of Liberation is how its blend of R&B reflection and tense testifying doesn't seem to be an easy fit on any format in 2018.

Christina's growth as a writer and singer helps balance her lingering sentimental streak, a tendency that can occasionally curdle into the saccharine. Such reflection and measured outrage lend Liberation a gravity lacking in other Aguilera records, and its sober perspective carries over to 'Sick of Sittin',' an infectious piece of diamond-hard funk that finds Aguilera leaning into a newfound rasp in her voice. Certainly, Christina spends a fair amount of time singing about lasting love and motherhood, even offering a MeToo anthem in the form of 'Fall in Line,' a dense, angry duet with Demi Lovato. Much of the album is devoted to moody moments of self-reflection and anthems of empowerment, giving the distinct impression that Aguilera is figuring out how to mature within the confines of chart-oriented music. Paak, who are both credited as producers, Liberation isn't a record designed for the clubs. Despite the fleeting presence of Kanye West and Anderson. Liberation seems to be constructed as a response to its failure, as it finds Aguilera abandoning shiny hooks for hip-hop beats and smoldering ballads. Lotus was designed to reverse this downward trajectory, but despite having its share of gleaming dance-pop, it didn't generate a pop hit.

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